PAINTING THE LIGHT: Moonset

Friday, April 10, 2009

Moonset

Moon Setting Over Al's House

No new paintings to post this morning, but I thought I'd share these images I caught this morning as the moon was setting. I got a whole series; these are two of the better ones. It's difficult to get photos in dark light without blurring, even with a tripod. Just pressing the shutter release causes movement.

I did get up at 4 and start a new painting this morning, but so far, I'm not impressed with it. Most of them go through an ugly stage, but this one seems uglier than most. I may end up surprising myself; often, a painting so ugly I want to toss it without finishing turns out perfectly acceptable. Others start out ugly and stay that way. I've had a few failed paintings. I just consider it a learning experience.

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Original Paintings and Custom House Portraits for Sale

I paint colorful New England landscapes and cityscapes in acrylic. You can purchase my original paintings, small prints, and digital photography through my Etsy shops, CityscapesByBreton, ViridianArt, and Heartshots. You can also purchase prints of many of my paintings, in various sizes, at Fine Art America. The link below will take you directly to my shopping cart.

If you're in Maine, and want to check out my work up close and personal, you can find a number of my paintings in their summer home, at the Rock and Art Shop on Route 1A in Ellsworth.

Laurie Breton is a contemporary realism painter who has lived her entire life in Maine and who feels a close connection to the New England landscape. Her paintings of Maine country roads, New England cityscapes, and old houses reflect those deep roots.

Painting came to her late in life. As a child, she loved to draw. But it wasn't until her late thirties that she picked up a paintbrush, began creating art on canvas, and fell in love with painting.

She calls what she does "painting the light" because her paintings reflect her passion for light and shadow and their effects on the landscape. As a self-taught artist, Breton paints what she feels in her heart. Every scene she commits to canvas was chosen because it has struck some deep emotional chord in her, and she tries to infuse her work with that same strong emotion. It is her belief that if she is able to invoke that emotion in just one other person, she’s done her job well.

Over time, certain themes have emerged in her work. As we seek meaning in our busy lives, we tend to overlook the ordinary, the everyday, the familiar places and things that shape who and what we are. Even as we continually seek that elusive "something else," the overlooked ordinary—the innate sense of home—is the reality in which we live our lives. That reality is what Breton tries to paint. She hopes that people will see her art and feel that connection, that "I've been there" feeling, that belief that what she’s captured on canvas is a reality that's deeply and intimately familiar to them. She wants her work to take the viewer to that home-place each of us holds inside.

Her paintings are held in private collections in both the U.S. and abroad.

PAINTING THE LIGHT

Friday, April 10, 2009

Moonset

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