PAINTING THE LIGHT: Three Houses, Winter

Saturday, February 28, 2009

Three Houses, Winter

8x10, acrylics on canvas
SOLD

Here's the latest. I had trouble photographing the sides of the white houses because the small amount of yellow kept coming out mustardy. Finally had to add another layer of yellowish-white, and then I was able to photograph them properly. My camera is very picky about certain colors, especially yellow. Sometimes, even if there are several layers of another color over the yellow, what the camera picks up is that yellow underpainting. It's very strange.

3 comments:

Debra said...: I really like this one! Cool and crisp, yet warm and sunny, if that makes sense. Nice choice of colors.; March 1, 2009 at 5:28 AM
Painting the Light said...: Hi, Debra! Apparently you're not the only one who likes it. I think this is a record. I put it up maybe an hour or 90 minutes ago...and somebody has already bought it. My head is spinning. I hadn't even finished painting the edges yet! I have to thank you again for your idea about painting smaller works, because they do seem to sell more quickly.; March 1, 2009 at 7:11 AM
Debra said...: Maybe you've stumbled onto the secret...list them before they're quite finished, and - thanks to Murphy's Law - they will sell immediately! :); March 1, 2009 at 10:15 AM

Original Paintings and Custom House Portraits for Sale

I paint colorful New England landscapes and cityscapes in acrylic. You can purchase my original paintings, small prints, and digital photography through my Etsy shops, CityscapesByBreton, ViridianArt, and Heartshots. You can also purchase prints of many of my paintings, in various sizes, at Fine Art America. The link below will take you directly to my shopping cart.

If you're in Maine, and want to check out my work up close and personal, you can find a number of my paintings in their summer home, at the Rock and Art Shop on Route 1A in Ellsworth.

Laurie Breton is a contemporary realism painter who has lived her entire life in Maine and who feels a close connection to the New England landscape. Her paintings of Maine country roads, New England cityscapes, and old houses reflect those deep roots.

Painting came to her late in life. As a child, she loved to draw. But it wasn't until her late thirties that she picked up a paintbrush, began creating art on canvas, and fell in love with painting.

She calls what she does "painting the light" because her paintings reflect her passion for light and shadow and their effects on the landscape. As a self-taught artist, Breton paints what she feels in her heart. Every scene she commits to canvas was chosen because it has struck some deep emotional chord in her, and she tries to infuse her work with that same strong emotion. It is her belief that if she is able to invoke that emotion in just one other person, she’s done her job well.

Over time, certain themes have emerged in her work. As we seek meaning in our busy lives, we tend to overlook the ordinary, the everyday, the familiar places and things that shape who and what we are. Even as we continually seek that elusive "something else," the overlooked ordinary—the innate sense of home—is the reality in which we live our lives. That reality is what Breton tries to paint. She hopes that people will see her art and feel that connection, that "I've been there" feeling, that belief that what she’s captured on canvas is a reality that's deeply and intimately familiar to them. She wants her work to take the viewer to that home-place each of us holds inside.

Her paintings are held in private collections in both the U.S. and abroad.

PAINTING THE LIGHT

Saturday, February 28, 2009

Three Houses, Winter

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